foranautuse:severaldotsofhillsoverthewall.

thepoetseyeisthepainterseye,andpaintingarybeeone.

fround,thereadergainsaclearperspectiveotherpossible.ashthe

thisaffinitybetorenaturalandapparentwhen

uandliliatic

ofurse,itrequiresalittleefforttoigine”springsoops”he

andartisticrestraint.thepoetdoesnottrytosayallhehastosay.hisbusinessisbut

indefinablefeelingbehind,hereaderssedoesnotsatisfyhis

lkyhenpaintiogetheronafiatsurface.thusliuyuhsi772842

e:

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firstthehillsinthepainting,

works:

inanycase,thepaierfinishinghispaintingusuallyesaverseatthetopin

pressionisticteique.itisateiquehgivesa

toev

ilarityofteilarityofthes,

andthefasoverse.

forrexalefroipo,theartliesintheseleofainthefround

ingproper.butthisaffinityisresponsibleforanotherpointin

thepictureteiquehereisperfect:thehilltopsappearingasseveral”dots”overthe

seriesofiressions,vividandunfettable,andleavesrelyaflavour,an

thehills.inthissense,an

andabovethetreesahundredsprings.

thosevaorelateronwhen

uandiheartofsublition,suggestion

onlybefoundountainges,f,afterthepreviousnightsrainfall,

thenthepaintinginthehills.

aseriesofetreesinthe

tosetitoffagainsttheobjethedistanlouds,ades,hilltopsandthe

exactheinal;butexaausesutiveissorareand