ilarityofteilarityofthes,

e:

exactheinal;butexaausesutiveissorareand

thenthepaintinginthehills.

thepictureteiquehereisperfect:thehilltopsappearingasseveral”dots”overthe

tosetitoffagainsttheobjethedistanlouds,ades,hilltopsandthe

andabovethetreesahundredsprings.

indefinablefeelingbehind,hereaderssedoesnotsatisfyhis

thepoetseyeisthepainterseye,andpaintingarybeeone.

toev

uandliliatic

ingproper.butthisaffinityisresponsibleforanotherpointin

firstthehillsinthepainting,

thehills.inthissense,an

inanycase,thepaierfinishinghispaintingusuallyesaverseatthetopin

lkyhenpaintiogetheronafiatsurface.thusliuyuhsi772842

uandiheartofsublition,suggestion

onlybefoundountainges,f,afterthepreviousnightsrainfall,

andthefasoverse.

foranautuse:severaldotsofhillsoverthewall.

aseriesofetreesinthe

pressionisticteique.itisateiquehgivesa

works:

fround,thereadergainsaclearperspectiveotherpossible.ashthe

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forrexalefroipo,theartliesintheseleofainthefround

seriesofiressions,vividandunfettable,andleavesrelyaflavour,an

ofurse,itrequiresalittleefforttoigine”springsoops”he

thosevaorelateronwhen

thisaffinitybetorenaturalandapparentwhen

andartisticrestraint.thepoetdoesnottrytosayallhehastosay.hisbusinessisbut