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第85节(2/2)

”civilized”odetheatrebuildings.

hairandcladintatters,singingtheairsofkunggdagthepartofthe

unterevideheapparentforteristoleratesqueaks

greatchukoliangireetsofoldpeking.

butsohoselvestoit,asthearishave

theesetheatreofthebettertypeinayardliketheelizabethare.

frohesaxophoneandothersounddnessfrohejazzbandany

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

esetheatresurroundings.

st,oobe

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

fnvisitorsatesetheatresareoftenstruruciatingnoise

inofthedruandgongsandthefalsettolybeuoodinthelightof

aniaina,unknoi

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

ofthepeople.igineapeopleassesknoireetsandatall

barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld

...

orlessaloaintraditio

adaptedtheelvestojazz.theyheylifetogeta”kick”outof

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

oddnts,andyouhaveapictureoftherelatiohe

yfireliefthat,

arealfoodof

hsiaotiao}tofindsoofovesre

esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

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falsettooflesingers,.this

or”operania,”aenseeaniafthelohdishevelled

fropurelyliterarypointofvieatiatypeofpoetry

usedasaansofattragattention;theyalheplaysanduldbe

it.tiedand

heardaleaovies.when

actorshadtopetehthepeddlerscries,thebarberstuningforks,the

dodiatelyaftertheoasioheatrehereforeintheopenandthe

instcases,hoph

lovelyasthetaryis,asandtheodddratigs

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