theesetheatreofthebettertypeinayardliketheelizabethare.

ofthepeople.igineapeopleassesknoireetsandatall

it.tiedand

unterevideheapparentforteristoleratesqueaks

heardaleaovies.when

inofthedruandgongsandthefalsettolybeuoodinthelightof

butsohoselvestoit,asthearishave

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

falsettooflesingers,.this

barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld

instcases,hoph

usedasaansofattragattention;theyalheplaysanduldbe

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

adaptedtheelvestojazz.theyheylifetogeta”kick”outof

esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

yfireliefthat,

lovelyasthetaryis,asandtheodddratigs

or”operania,”aenseeaniafthelohdishevelled

greatchukoliangireetsofoldpeking.

st,oobe

arealfoodof

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

fnvisitorsatesetheatresareoftenstruruciatingnoise

fropurelyliterarypointofvieatiatypeofpoetry

hairandcladintatters,singingtheairsofkunggdagthepartofthe

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

oddnts,andyouhaveapictureoftherelatiohe

frohesaxophoneandothersounddnessfrohejazzbandany

”civilized”odetheatrebuildings.

orlessaloaintraditio

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

dodiatelyaftertheoasioheatrehereforeintheopenandthe

esetheatresurroundings.

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