such,asapartfrotent.apaintinghastonveya,butaten

aesthetiisticipleaybe

stfruitfulofresultsoodandapplied.asstated,ese

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

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fundantalstrokesofing.ifthereisohis,hewill

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

providesasofaesthetiiationayhe

inanythioftheeseartistid.

sihofthehorse,

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

certaintypes,suchastheyularityorofaforevertoppling

...

hebranflohafehespringing

basesofesenotionsofbeauty.

cultivationandappreciationofpureposition,

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

asthisarthasahistoryofhousandyears,andaseveryertriedto

itseetothatand

realisethatthesee.”

position,standsiiontopaintingaspuretheticsstandsiionto

byderivingitsartistinature,espeals梩

strusustsolveforhielf.thus,through

fpaintii

distinguishhielfbyaructure,therefore,incalligraphy,if

sotiseveyinslouessularity.thustheartofcalligraphy

fotten,andthelinesandforareappreselves.inthis

therefore,theairedevotiontopurefors

andforandithasdoneso

hasbeenexplored.theientpossible,andtheeseters,heoretically

field,everyvarietyofrhythasbeeeduponaypeofstructure