inanythioftheeseartistid.

realisethatthesee.”

providesasofaesthetiiationayhe

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

hasbeenexplored.theientpossible,andtheeseters,heoretically

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

stfruitfulofresultsoodandapplied.asstated,ese

field,everyvarietyofrhythasbeeeduponaypeofstructure

hebranflohafehespringing

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certaintypes,suchastheyularityorofaforevertoppling

position,standsiiontopaintingaspuretheticsstandsiionto

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

therefore,theairedevotiontopurefors

strusustsolveforhielf.thus,through

byderivingitsartistinature,espeals梩

basesofesenotionsofbeauty.

andforandithasdoneso

fpaintii

sihofthehorse,

cultivationandappreciationofpureposition,

fundantalstrokesofing.ifthereisohis,hewill

such,asapartfrotent.apaintinghastonveya,butaten

...

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

fotten,andthelinesandforareappreselves.inthis

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

distinguishhielfbyaructure,therefore,incalligraphy,if

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

itseetothatand

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

aesthetiisticipleaybe

asthisarthasahistoryofhousandyears,andaseveryertriedto

sotiseveyinslouessularity.thustheartofcalligraphy