ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

fpaintii

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

realisethatthesee.”

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

inanythioftheeseartistid.

cultivationandappreciationofpureposition,

distinguishhielfbyaructure,therefore,incalligraphy,if

field,everyvarietyofrhythasbeeeduponaypeofstructure

providesasofaesthetiiationayhe

aesthetiisticipleaybe

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itseetothatand

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

fundantalstrokesofing.ifthereisohis,hewill

position,standsiiontopaintingaspuretheticsstandsiionto

sihofthehorse,

hebranflohafehespringing

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

such,asapartfrotent.apaintinghastonveya,butaten

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

fotten,andthelinesandforareappreselves.inthis

basesofesenotionsofbeauty.

...

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

byderivingitsartistinature,espeals梩

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

asthisarthasahistoryofhousandyears,andaseveryertriedto

therefore,theairedevotiontopurefors

certaintypes,suchastheyularityorofaforevertoppling

stfruitfulofresultsoodandapplied.asstated,ese

sotiseveyinslouessularity.thustheartofcalligraphy

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

strusustsolveforhielf.thus,through

andforandithasdoneso

hasbeenexplored.theientpossible,andtheeseters,heoretically