itseetothatand

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

fpaintii

fotten,andthelinesandforareappreselves.inthis

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

sotiseveyinslouessularity.thustheartofcalligraphy

position,standsiiontopaintingaspuretheticsstandsiionto

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

distinguishhielfbyaructure,therefore,incalligraphy,if

basesofesenotionsofbeauty.

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

strusustsolveforhielf.thus,through

fundantalstrokesofing.ifthereisohis,hewill

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

field,everyvarietyofrhythasbeeeduponaypeofstructure

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

asthisarthasahistoryofhousandyears,andaseveryertriedto

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

sihofthehorse,

...

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

providesasofaesthetiiationayhe

realisethatthesee.”

aesthetiisticipleaybe

byderivingitsartistinature,espeals梩

cultivationandappreciationofpureposition,

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

therefore,theairedevotiontopurefors

hebranflohafehespringing

certaintypes,suchastheyularityorofaforevertoppling

stfruitfulofresultsoodandapplied.asstated,ese

andforandithasdoneso

inanythioftheeseartistid.

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

hasbeenexplored.theientpossible,andtheeseters,heoretically

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

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