sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

...

andnizesfurtherinthesileunityofdesignofesepaintingsth

typeofsalledfeipo,any

saidaboutpaintihateverylineshouldtallalong,andhihsaid

lishu,andthearript.”oneseesalsointheholloherocksa

notinteopyreality,butrelytopleaseself”

principle,forproperspagistheveryfirstlaatedbypao

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

dehesati”rontid”thespiritoftherecluse.”itisthisquality

fugitivespiriti.doicarehertheyareexactoot,herthe

saidthat”,theyshouldapplythelaherunningscript,the

along,paintingillis,thesreation.

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

said:”anticbrush,

oneshherefore,ineseinkdraanfiguresand

treeohesaprincipleoftingusedineseings.tungchig

ngfuhielf.further,theartistiportantcalligraphic

hollohetreofthestrokes,aheenthe

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

offeurecraftsnship.

hunspirittogetathedru

ngelsewas

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shenpo.ifthespaybesaed,as

oflightheartedandinguisheslipospoetry.thisyi

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

thisplayingodatsforacertainqualityofesepainting,calledyi.the

landscapesofthesouthesertaininfluenalligraphy.first,ohe

oneevenobiletongue,dippedininkandligthepaperashedra\vs

sicstrokes.iinglihepine

ybeseeninyiiyujensatterineseingifthe

thisdesireisuandableuholarsspiritwas

ntouroftheterisurical,butispagisanunfivable

aybeusedto

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

treesthehesealter.forthisisasecretleftusbyghao

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe