restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

ybeseeninyiiyujensatterineseingifthe

...

saidthat”,theyshouldapplythelaherunningscript,the

said:”anticbrush,

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

dehesati”rontid”thespiritoftherecluse.”itisthisquality

hunspirittogetathedru

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

treesthehesealter.forthisisasecretleftusbyghao

thisplayingodatsforacertainqualityofesepainting,calledyi.the

oneevenobiletongue,dippedininkandligthepaperashedra\vs

andnizesfurtherinthesileunityofdesignofesepaintingsth

saidaboutpaintihateverylineshouldtallalong,andhihsaid

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

hollohetreofthestrokes,aheenthe

landscapesofthesouthesertaininfluenalligraphy.first,ohe

oflightheartedandinguisheslipospoetry.thisyi

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

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lishu,andthearript.”oneseesalsointheholloherocksa

treeohesaprincipleoftingusedineseings.tungchig

shenpo.ifthespaybesaed,as

typeofsalledfeipo,any

principle,forproperspagistheveryfirstlaatedbypao

offeurecraftsnship.

ntouroftheterisurical,butispagisanunfivable

aybeusedto

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

thisdesireisuandableuholarsspiritwas

along,paintingillis,thesreation.

notinteopyreality,butrelytopleaseself”

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

oneshherefore,ineseinkdraanfiguresand

ngfuhielf.further,theartistiportantcalligraphic

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

sicstrokes.iinglihepine

ngelsewas

fugitivespiriti.doicarehertheyareexactoot,herthe