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hollohetreofthestrokes,aheenthe
leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he
lishu,andthearript.”oneseesalsointheholloherocksa
restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto
thisplayingodatsforacertainqualityofesepainting,calledyi.the
along,paintingillis,thesreation.
landscapesofthesouthesertaininfluenalligraphy.first,ohe
aybeusedto
dehesati”rontid”thespiritoftherecluse.”itisthisquality
ngelsewas
offeurecraftsnship.
ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso
forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe
sicstrokes.iinglihepine
principle,forproperspagistheveryfirstlaatedbypao
ntouroftheterisurical,butispagisanunfivable
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reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished
sendary.therearetodaypaintersakesketcheshtheirbarefingers,and
notinteopyreality,butrelytopleaseself”
ybeseeninyiiyujensatterineseingifthe
saidthat”,theyshouldapplythelaherunningscript,the
oneevenobiletongue,dippedininkandligthepaperashedra\vs
typeofsalledfeipo,any
said:”anticbrush,
thisdesireisuandableuholarsspiritwas
ngfuhielf.further,theartistiportantcalligraphic
andnizesfurtherinthesileunityofdesignofesepaintingsth
oflightheartedandinguisheslipospoetry.thisyi
...
oneshherefore,ineseinkdraanfiguresand
hunspirittogetathedru
shenpo.ifthespaybesaed,as
paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe
itive59or”recluse”qualityisprizedasthehighestqualityofthescholars
treeohesaprincipleoftingusedineseings.tungchig
fugitivespiriti.doicarehertheyareexactoot,herthe
treesthehesealter.forthisisasecretleftusbyghao
saidaboutpaintihateverylineshouldtallalong,andhihsaid