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第100节(2/2)

picturehisfeelingofsilenddesolationbydrawinga

buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

intheriodepainter,sickofpaintiy,ryto

atthedesertedferry,aboatdriftsacrossbyitself.

wasaline:

orstriedtorateonthehetreofthepicture.

includeandtoleaveout,resultingintheffunglingquality.

startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe

therean,hoboogrovebyitsside,

picture,theirobjectistonveyaunifiedioo

birdrestingo,andanotheroneabouttoperit.thepresehe

baoosverahebridge.

exanationsinpaintinguheierialbureauofpainting,his

ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

selves,sin.

theorythat”thenustpreaterial

gunardli.theeseiressionistpainted,hoh

...

ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

andhiddeninthatgrove,onlyashopsignbearingtheter”no

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suggest.buthebleofasaxophohatgically

hepaintiionthatisteristic

lltheiriy,theeseartistsarenotabletoprodufreaksto

sinaryiortahegreatestpainsstbetakento

stbehunlyintelligibletoothers.theyarerestraihedoeofthe

igination.anothersubjectgivenweiing:

goldenan.theiriressionissthereforeahuniressionisinpaintinga

birdsheboatsuggeststhattheboatanbeingswere

thereosphereofluxury

thatthebestnes

reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

peratesthroughachaagneglassthatrestsonaahathides

theyreerthattheyarepaintingforfelloanbeingsandtheions

uhreequartersofatrazesoverthefunnelsofa

nsioninthebackground,aidpeepingout

about.

all.andthispicturehehe

nceiveapoetiception.inthesungdynasty,petitive

thepoethadalreadyusedthethodofsuggestioninnveyisphereof

andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

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