dofnature.thebestofelandscapes,likerots3giveusthe

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bathinggirlshouldbedetorepreseeer.”todaynyese

te,beforeoneleaeventhefirstessentialsofpainting.of

theisdesubservienttothe

gongpilesofksandbrushwood

theygenerallybanishtheaionbycallihings

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

ursetherearealsonyeersy

nature.heshouldousthebeofthatnionofnature,and

”art,”andtheonesadethen”cr

felefigurecalled”ion.”thereisstilltodayalargeproportionof

ight,likeyiijen,giveusalandscapeof

singularteristifostsingularntrastbethineseand

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

ther”abovetheirntelpiedutelatea

ihegeneralistnessoftheatsphere,or,like

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

hespiritofthethingsasitisinstilledintohissoul,and

eetagain

forofnature.ifthereisanyapprealehunforssuch,wesee

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

saatsphereandthesafeelingfoature,butirayalofhunfor,

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

notraalefest,

niyiinligiveusapindesolation,htheuntryastretch

...

arestilluoreheelvestothefaivilizationrequires

eartisthedifferehesourceofinspiratioselfforthe

englishandarisocietyuresintheirflatsby

notthebeautiesoftheirbodiesbutthelihehehis

recreateforusapicture,”surchargedoodsandfeelings,evergingand

anbody,espealebody,seetotobethest

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

sayingthattheroosrentedfuished,andknotodoha

andthisgeneralrhythalldetailstenandonlythetralinood

eastandthefeleforortheindasbeingre

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

vienneseporeoftheirfriendshavepreseheorchrists,

lingistsherodenlethetrees,