ursetherearealsonyeersy

gongpilesofksandbrushwood

te,beforeoneleaeventhefirstessentialsofpainting.of

ight,likeyiijen,giveusalandscapeof

dofnature.thebestofelandscapes,likerots3giveusthe

singularteristifostsingularntrastbethineseand

eartisthedifferehesourceofinspiratioselfforthe

theygenerallybanishtheaionbycallihings

andthisgeneralrhythalldetailstenandonlythetralinood

anbody,espealebody,seetotobethest

arestilluoreheelvestothefaivilizationrequires

...

”art,”andtheonesadethen”cr

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

ther”abovetheirntelpiedutelatea

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

recreateforusapicture,”surchargedoodsandfeelings,evergingand

lingistsherodenlethetrees,

niyiinligiveusapindesolation,htheuntryastretch

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

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felefigurecalled”ion.”thereisstilltodayalargeproportionof

vienneseporeoftheirfriendshavepreseheorchrists,

theisdesubservienttothe

ihegeneralistnessoftheatsphere,or,like

eastandthefeleforortheindasbeingre

englishandarisocietyuresintheirflatsby

bathinggirlshouldbedetorepreseeer.”todaynyese

nature.heshouldousthebeofthatnionofnature,and

hespiritofthethingsasitisinstilledintohissoul,and

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

forofnature.ifthereisanyapprealehunforssuch,wesee

sayingthattheroosrentedfuished,andknotodoha

notraalefest,

eetagain

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

saatsphereandthesafeelingfoature,butirayalofhunfor,

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

notthebeautiesoftheirbodiesbutthelihehehis