spirit.

sandstructuresofesearture,weshallbe

naofanart.

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ideasofrhythforndatspheregivethedifferentlinesofeseart,like

epoetry.thatdifference

boldnessandfreedofthebrushpresstheonlookerinanunfettable

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

artisthasinterferedaterialrealityaedittousonlyasitappearsto

nner.sohohepicturebeforeushasundergoneaninnerprocessof

nn.itoachievea

atsphereallitso

seeninastudyofesepaintingandarture.inthelinesandpositionof

poetry,painting,arture,porcelainandhousederations,aialunityof

hewillbe

painting,butessentiallydifferentandachievedbydifferentans.itshoain

thefullsignifialligraphyasthebasisofeseaestheticswillbe

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

odeepainting,and

ishardtograspandexpress.ithasaosphere,visibleine

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

esepainting,thefloure,isdistinguishedbyaspiritandan

abletheprinesecalligraphy.thesebasic

givingusonlyapletelysatisfying

transfortioniistsnd,shoofitsirrelevasdisharnies,and

iii.painting

thepointsofntrastarationeasiertotradhatthe

enoofterial,rkedbythenyblankspaces,anideaofposition

abletoessquare,inlinesandfortrulyhyofthe