transfortioniistsnd,shoofitsirrelevasdisharnies,and

nn.itoachievea

atsphereallitso

epoetry.thatdifference

thepointsofntrastarationeasiertotradhatthe

painting,butessentiallydifferentandachievedbydifferentans.itshoain

sandstructuresofesearture,weshallbe

nner.sohohepicturebeforeushasundergoneaninnerprocessof

thefullsignifialligraphyasthebasisofeseaestheticswillbe

seeninastudyofesepaintingandarture.inthelinesandpositionof

artisthasinterferedaterialrealityaedittousonlyasitappearsto

naofanart.

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

odeepainting,and

givingusonlyapletelysatisfying

spirit.

poetry,painting,arture,porcelainandhousederations,aialunityof

iii.painting

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

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hewillbe

boldnessandfreedofthebrushpresstheonlookerinanunfettable

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

enoofterial,rkedbythenyblankspaces,anideaofposition

abletoessquare,inlinesandfortrulyhyofthe

esepainting,thefloure,isdistinguishedbyaspiritandan

abletheprinesecalligraphy.thesebasic

ishardtograspandexpress.ithasaosphere,visibleine