atsphereallitso

enoofterial,rkedbythenyblankspaces,anideaofposition

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

sandstructuresofesearture,weshallbe

esepainting,thefloure,isdistinguishedbyaspiritandan

nn.itoachievea

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

artisthasinterferedaterialrealityaedittousonlyasitappearsto

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

givingusonlyapletelysatisfying

thefullsignifialligraphyasthebasisofeseaestheticswillbe

odeepainting,and

iii.painting

painting,butessentiallydifferentandachievedbydifferentans.itshoain

thepointsofntrastarationeasiertotradhatthe

ishardtograspandexpress.ithasaosphere,visibleine

epoetry.thatdifference

hewillbe

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transfortioniistsnd,shoofitsirrelevasdisharnies,and

abletoessquare,inlinesandfortrulyhyofthe

abletheprinesecalligraphy.thesebasic

seeninastudyofesepaintingandarture.inthelinesandpositionof

boldnessandfreedofthebrushpresstheonlookerinanunfettable

naofanart.

nner.sohohepicturebeforeushasundergoneaninnerprocessof

spirit.

poetry,painting,arture,porcelainandhousederations,aialunityof

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective